Casting Call

News

Auditions were completed on August 6th 2021.

We are so delighted to announce auditions for our upcoming production It’s True I Love You All So Much by Jenni Nikinmaa. This production is a piece of digital theatre, this makes casting especially exciting as anyone with decent WIFI, a webcam and a mic can apply from anywhere in the world.

The Play

It’s True I Love You All So Much is a new and innovative piece of interactive digital theatre. The audience watching is in front of their screens, disconnected from each other and disconnected from the performance, performer, and the stage, which are the same thing, the screen. The audience is part of the process, the part that is watching how self-harm and madness perform themselves. The audience engages several times throughout the performance via completing surveys, attending zoom calls and clicking on animations that progress the performance.  The performance explores family dynamics, self harm, mental health and love through text that is both blunt and poetic in its delivery. 

The Cast

We are looking for actors and voice actors of

  • Any gender
  • Any ethnicity
  • Any age
  • Any level of experience

One actor will need to be available for filming on August 30th at the Town Hall Theatre Galway. All other roles will be rehearsed and presented entirely remotely.

The Characters

  • Performer A
  • Performer B
  • The Black Hole
  • Voice of Grandmother
  • Voice of Chorus
  • Voice of Guardians

The Production

  • This show is produced by Eva’s Echo Theatre Company
  • This is currently a profit share production.
  • Auditions take place via zoom on Tuesday August 3rd between 12pm and 6pm.
  • Rehearsals will take place between August 16th and September 27th online.
  • The final rehearsal schedule is confirmed and agreed upon once casting is completed. This is to enable actors with other work commitments to audition on equal ground.
  • Each team member is required to sign a contract and agree to Eva’s Echo’s code of conduct. This is to ensure each team member is entitled to the agreed fee, is protected against work place bullying and receives credit for their work.
  • The show will take place online at 8pm from September 30th – October 2nd.

Stages of Arts Applications

Blog, Monthly Blog

This is a busy time of year for artists of all disciplines for sure. Reason being, applications! Whether applying through the Arts Council, upcoming festivals, bursaries or any other type of funding, the summer months seem to be peak times with numerous applications opening and deadlines assigned by the new time. Here are just some of the stages of completing said applications; 

  1. Optimism: You get a notification, another application is open. You take an in-breath and… It actually doesn’t look so bad. Seems straight forward, you have all your info easily ready and the deadline is in two weeks! It’ll be done in a day, for sure!
  1. Confusion: Wait a minute… You stumble upon a section with complex wording/a question that can mean one thing or the opposite (may not affect the application, but it just might) or just something you swear is written by an alien. You ask around, get advice and hooray! Problem solved! Moving onto the next section.
  1. Procrastination: Pubs are open again, the sun is out, you wish you could go but you’re just soooo busy with this application… In reality, you’re messing with your hair, your bestie is distracting you with funny animal videos, you’ve found out that new series has started and have now started to scrub the stubborn stain off the mantelpiece. You PROMISE you’ll get back to it when you’re done… Yeah… 
  1. Panic: You’ve been at the laptop for 3 hours, you can’t remember when you’ve last showered never mind eaten (a real meal) but that’s ok you’re nearly there. You’ve just one more section then… Where is it… Where’s the draft?! Where’s the form?! WHERE IS IIIIIIITTTTTT?! … Oh wait it was minimized, phew!
  1. Post Submission: That’s it, it’s sent! Aaaaand now you’ve passed out. 

The bottom line is to mind yourselves when doing these applications. Break it down into small chunks, get help from a friend, ask other people in the arts community for advice, and do not, I repeat, do not stress. Get out and away from it when you need to, let your friends know if you’re struggling and please please please, eat something that’s not Koka noodles!  

Dose on the Pride Player

News

We are so proud to have Dose featured on Dublin LGBTQ Pride’s Pride Player in collaboration with Dublin Gay Theatre Festival.

Rena Bryson’s new short drama Dose takes place the night before Oisín and Patrick’s wedding. Tensions rise as the couple face the consequences of their families merging, leading Oisín to reveal a dark secret he’s been hiding from his fiancé.

The piece was directed by Hazel Doolan and stars Conor O’ Dwyer and Killian Glynn.

Watch it & all the other amazing plays now at https://dublinpride.ie/pride-player/

Directing Digital : Uniform

Blog, Monthly Blog

By Rena Bryson

The clothes line is down, the costumes in storage and the stage/screen empty. That’s curtains for Uniform, something I somewhere deep down didn’t think I’d ever be able to say! For several reasons, check out the video above for the full story. Such a big chapter deserves a proper closure, so for this month’s blog I thought I’d reflect on the process of creating digital theatre, what I learnt and how the experience has affected my view of digital theatre. I hope this article will be useful for other artists creating digital work.

The right story to tell digitally

One woman theatre show Uniform
Photo Credit: Catriona Bonner Photography

Overall I think the method of digital theatre worked, not as a piece of theatre but as it’s own thing. I think this was because of a few reasons. Firstly Uniform was a contemporary play, I feel this translated better to screen. For example our previous production Starseed which was more abstract would not have worked in the same way. Audiences in a physical theatre are very accepting to a change in lighting signifying a dream scape. Screen audiences are used to seeing these themes conveyed in hyper realistic manners through the magic of film. As there was nothing otherworldly or abstract within the world of Uniform I believe it suited a digital presentation better than other texts.

Lights camera action!

Once it was decided that Uniform would become a piece of digital theatre I found myself at a crossroads. Do I decide to lean into all that film can bring and begin storyboarding and have Hazel switch from theatre to film acting? (They are two very different things!) Or do I continue directing Uniform as it was intended to be, a piece of theatre on front of a live audience. I choose the traditional theatre root, but some compromises had to be made. I wanted the show to be captured all in one go in order to keep the essence of a live performance. This was not always possible due to different technical issues that naturally arise during filming. In this case it was mostly the mic being affected by the costume changes. However, we were very fortunate that our theatrical lighting did not have to be changed to suit the camera, this had been our most preempted issue. The multiple camera and editing showed the audience the full stage and close ups of Hazel. The capturing of these close up moments was a real unexpected treat and something that could not be seen by an audience in such detail during a live theatre show. When viewing it on the night I was pleased with my decision to keep Uniform as close to a traditional theatre piece as possible. Although I could not help wonder how the performance would have changed if given the energy of an audience to play off of.

Digital Audience

One woman theatre show Uniform
Photo Credit: Catriona Bonner Photography

On the production side of things the most difficult part was not interacting with the audience. We don’t know how many were in the audience or what they thought. As it’s a digital ticket there is no way of knowing how many people were actually watching the one link, I’ve heard of five people watching one ticket link together and for all I know that could be the case for each ticket bought. I’ve also gotten apologies from people who bought a ticket but something came up. So the number of tickets bought for digital show doesn’t reflect the amount of seats filled. After attending or being apart of a live show you can feel the energy in the room following the curtain. When Uniform ended I didn’t clap but I was delighted with how the show went and wondered how it had been received. I couldn’t tell and that was a bizarre feeling.

Overall it was a great experience and I always love experimenting with different approaches to art. I’m now diving straight into directing a very different piece of digital theatre ‘ It’s True I Love You All So Much’ by Jenni Nikinmaa. The upcoming play is presented as a theatrical digital experience, it was written with intention of being presented digitally and could not exist any other way. Through this process I’ve become very interested in the relationship between the performer and audience within the digital realm and how it differs from live theatre. I’m excited to explore this and many other themes within the world of the play.

I’d love to hear from Uniform audience members to gain a better understanding of the digital theatre experience from an audience POV. If you attended Uniform and have a few minutes to spare I’d really appreciate it if you answered this short survey.

One woman theatre show Uniform
Photo Credit: Catriona Bonner Photography

The Curse of the Clothes Play

Blog

By Hazel Doolan

So, last year I wrote a play. For the reasons of the events after writing it, I shall no longer call it by name until post-production. Now I shall refer to it as ‘The Clothes Play’. Anyway, after writing ‘The Clothes Play’, we set out our rehearsal schedule, meetings, key dates, and any other things that go into production. We were all set and then these things happened; 

Rehearsal 1: The Storm 

Due to a sudden storm, we no longer had a rehearsal space. We resorted to rehearsing in a team member’s house as we could only watch the trees bend like rubber throughout. Thankfully, it didn’t last too long and we were back in the rehearsal room the following week. It was an interesting start but we thought nothing of it. 

Rehearsal 3 – 6: Ever Changing Rooms

Whatever it was, whether it be simple mistakes with the booking systems or something else, we were constantly moved to alternative rooms throughout. I made a joke that ‘This is the show of moving rooms, it’s like Alice in Wonderland!’ 

Rehearsal 3 – 6: Too Good Rehearsals

Rehearsals at this point seemed to be going too well. We were half way blocked, I was half way off book and everything was great. I didn’t want to jinx it (maybe I did!) but I couldn’t help but feel that this would be a great show. I went home happy that weekend looking forward to the next week. 

Rehearsal 7: End/Cancelled  

I think we know how the rest goes. The 12th of March 2020 will always be a date that will stay with me. After getting the news at work my first thoughts were of ‘The Clothes Play’. Rena and I talked that evening, we were confident that all will be fine and planned for online rehearsals. We didn’t even get that far in the end. 

With 2020 going down the rabbit hole, we were hopeful and planned our programme for 2021. ‘We’ll be well over it’, we thought. ‘Theatres will be open’, we said.

Why is The Clothes Play cursed?

Similar to The Scottish Play, a string of strange and unlucky events occurred throughout. Thinking back, I’ve asked myself why and how is it possible? 

The Faces of Eve

Using this trope, I narrated the lives of numerous women. I portrayed them all at different stages of their lives; Maiden, Mother, and Crone. Firstly, they say things come in threes and – Well ok, more than three things happened but three things did happen before the 12th of March. Secondly, perhaps I enraged a deity or possibly Hecate for using this trope so they facilitated these events. I’d rather not make a third point, see point one. 

Angry Nuns? 

‘Uni-’, I mean ‘The Clothes Play’ narrowly revolves around the women who all happen to attend this religious secondary school where nuns would’ve had a close connection. Whether they be passed/present teaching staff and or fellow residents with the borders in the convent. Maybe some nuns’ spirits didn’t like what I wrote?

For these reasons and more, I have strong thoughts that ‘The Clothes Play’ is possibly cursed. Once we’re in the theatre I won’t dare say the name, or light three candles on stage or wear blue. Wait, one of the costumes is blue. Dang. 

Join us for ‘The Clothes Play’ at the Town Hall Theatre from the comfort of your own home May 22nd at 8pm → https://tht.ie/3586/uniform