The ‘Brigids’ Who Influenced My Work

A belated New Year to you all and a Happy St Brigid’s Day/Bank Holiday! I was going to write about something different this month but given the day that is in it and to pay tribute to our Patron Saint, I want to take the time to give some female artists that have influenced myContinue reading “The ‘Brigids’ Who Influenced My Work”

The Wonderful World of Latte

The Latte journey has been anything but linear, we initially performed a rehearsed reading of a shorter version of the play during Culture Night 2019. Following an enthusiastic reception from a full house, we swiftly made plans to revisit the play. The talented Sarah Fahy was on board and agreed to complete a full-length script. We planned to produce the new full-length version of Latte in the summer of 2020. But… you can guess how that went. However, this gave both the playwright and director time to thoroughly examine the text and make changes. During this time director, Hazel Doolan decided that Latte would be more suited to a site-specific performance than a traditional stage production. We’ll never know what the 2020 version of Latte would have been like, but I truly feel that the time, patience, and momentum gained from the wait benefited the creative process and therefore the final production.

Druid Fuel: Month One and Residency

Monday 17th of January 2022, will mark a day in the history books for Eva’s Echo Theatre Company. After a generous vegetarian breakfast from the Hyde Bar, we made our way towards Druid Lane with anticipation, excitement, nerves, and wonder.  So the Druid Fuel artists all meet that morning for a coffee and introduction. ThisContinue reading “Druid Fuel: Month One and Residency”

Jungle Door – The Rewriting Process

One of the things I love most about theatre is that it is alive and ever-changing. Unlike a movie each time you see your favorite scene in a play it will be slightly different. There is only one play that Eva’s Echo has come back to several times and that is Jungle Door, but each time the play has developed and grown along with the team. When I first began writing the script I was 23 and I finished it as part of my MA at 24. I was writing about characters in their late twenty struggling with society’s and their own expectations of what an adult life should look like. This time approaching the text I was the same age as the characters.

Why Kids Need Theatre Classes Back

In light of the uncertainty, recent protests and a follow up of last month’s blog, I’m stressing why kids need theatre classes back. Not to be disregarding sports but not every child has an interest or ability to play certain sports on offer in their locality. For many, the theatre is the equivalent to whatContinue reading “Why Kids Need Theatre Classes Back”